'Encounter' - The artists behind Bilk Gallery

Bilk’s first opening for the 2014, showcases the artists that keep the wheels of the gallery turning. Lisa Cahill, Helen Aitken Kuhnen and Mio Kuhnen as co directors and Zoe Brand, Sarah Murphy, Sandie Lee and Larah Nott as Bilks faithful assistants.

Show contiunes until the 8th of March 2014

HOLLYDAYS – CHRISTMAS TIME AT BILK

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A NEW DIRECTION

 

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As 2013 comes to a close we look back a great year of significant exhibitions, plenty of good times and a fond farewell to Bilk’s can-do woman, Tanja Taglietti. However, as we gaze excitedly into the future we are thrilled to welcome two additional co-directors, the fabulous Lisa Cahill and Mio Kuhnen, who will be joining Helen Aitken-Kuhnen and the rest of Team Bilk in guiding the gallery towards a fresh new direction in 2014.  L-R: Helen, Mio and Lisa.

HAK_CTIN THE NEWS – Saturday 23 November – Arts Pages - Helen Aitken-Kuhnen

 

FROM LAND TO SEA – Helen Aitken-Kuhnen

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CHOICE OF COLOUR – KLAUS MOJE

A huge thank you to all who came along to the opening of Klaus Moje’s opening on Friday night! 

Also pop over to Habitus Living to see some more work of Klaus’s - HERE   

CHOICE OF COLOUR – Klaus Moje

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CHOICE OF COLOUR  Klaus Moje

4th – 22nd October 2013

Bilk Gallery is please to present this rare opportunity to view and purchase a select range of Klaus Moje’s work from his exhibition CHOICE OF COLOUR.

Klaus Moje is one of the most significant and influential glass artists in Australia. As one of the founding fathers of the contemporary glass movement in Australia, his life-long affair with the material began in the early 1950s as a glass cutter and grinder at the Moje family workshop in Hamburg, Germany. During the 1960s and 1970s he began exhibiting internationally and in 1982 Moje emigrated to Australia to become the inaugural Head of the Glass Workshop at the Canberra School of Art.

Klaus Moje is best known for his distinct and dramatically coloured vessels and wall panels. These colour fields of intense geometric and abstract patterns are bold but at the same time have a considered sensitivity about them. The method of construction and deliberate choice of colours results in work with a unique visual rhythm and an unmistakably Moje aesthetic. After five decades Klaus Moje continues to push the technical and expressive possibilities of glass.

Klaus Moje’s work is highly sought after and as such his work is held in more than 50 public collections in Australia and overseas. He has also been the recipient of many significant and prestigious awards in Australia, Europe and the United States.

‘Promises’ by Cinnamon Lee in the PRESS

Click on the images to read the articles.canberra_times_review_2

Pryor, S. “All that glitters isn’t gold”, ARTS – The Canberra Times, Wednesday 28th August 2013, p6.

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Cousins, K. “Promises we keep”, ARTS- The Canberra Times, Monday 2nd September 2013, p6

“Promises” an exhibition by Cinnamon Lee continues until the 20th September 2013 at Bilk Gallery

“PROMISES” – Cinnamon Lee

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PROMISES is an exhibition of new work by Cinnamon Lee exploring the multi-faceted nature of matrimony.

The first solo exhibition of Cinnamon Lee at Bilk she has been a regular exhibitor and a much valued part of our artistic team for 13 years and we are proud to showcase this exceptional exhibition of her highly collected rings.

 “Making a ring for someone’s wedding is always different to making any ordinary ring. ‘Forever’ echoes through my thoughts throughout the making process. With each stroke of the file, every tap of the hammer, as my own hands familiarize themselves with each metallic circle, I imagine the future owner of the ring doing the same…remembering that they may wear the ring on their bodies everyday for the rest of their lives. It can be a rather weighty concept with a burden of significant responsibility.”  - Cinnamon Lee 2013 

Conjugal rings are powerful objects and arguably the most sentimental of all jewels. Their scale is minute, yet they can carry vast amounts of emotional investment and often equally vast amounts of monetary value. For such tiny objects, they resonate with a multitude of complex meanings. They convey universally understood connotations regarding social and marital status, while simultaneously embodying personal promises shared intimately between couples. These kinds of rings are unique as objects in their ability to become intrinsic parts of people’s personalities and even their bodies – they are often one of the only items worn on the body that is never removed. At the same time they are objects that may gather so much emotional embellishment that their owners are incited to cast the precious jewels into gaping valleys or vast oceans in dramatic acts of abandon.

This exhibition provokes consideration of the symbolic significance of matrimonial rings, their overt value and their more covert meanings. Continuing my preoccupation with secrecy and stealth, many of the pieces in this exhibition have hidden details and some have parts that are not visible at all. A collection of promises made to be kept rather than broken.

PROMISES new work by CINNAMON LEE

 16th August – 21st September 2013

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Johannes Kuhnen’s opening speech:

Welcome to Bilk and Cinnamon Lee’s opening Promises a title so topical in these weeks. 

We are currently bombarded with promises, some only holding for a few weeks most will have been deemed as non core promises before the next 3 years are up, but that has nothing to do with the promises considerate in this exhibition. I am not certain if Cinnamon really needs an introduction as a lot of people here are friends, former students or long term admirers of her work. Cinnamon was one of the outstanding students that came through the Gold and Silversmithing workshop at ANU.

Her later appointment as lecturer was one of the fortunate moments in the SoA history but her decision a few years later to only focus on her own practice is one that I personally admire, even if it meant I was losing a brilliant colleague. It is really nice to have her back here to look at the next installment of her artistic practice.

In this exhibition Cinnamon investigates the visualization and materialization of the promises entered into in a personal relationship. The traditional wedding ring is a powerful symbol of such relationships but had for some time lost the significants of its symbolic qualities under the sometimes over emphasized focus on material value and its associated social status. All the glitz our conventional jewellery friends up the lane display during daytime hours does very little to deepen the symbolic bond between two people.

Cinnamon’s rings don’t display glitz, the gemstones are tuned back to black, if visible at all,  in an attempt to stay clear of the conflicts associated with commercial diamond mining. The black stones are not the most desirable on the international market, but the unfathomable depth of these stones makes them very suitable to carry personal and symbolic values. Enclosing these stone totally goes even further, only the two owners and there ring maker share in the knowledge of the hidden treasure, are privy to a message concealed inside. The joining of the 2 components of the ring sealing a stone or stones  or a written message inside, holds further symbolic significants, without given access to the bystander.

The ring could even be broken up again if the promises are not kept.

Powerful stuff indeed.

There is another aspect to Cinnamons rings, all of them are generated initially as digital files – which makes it possible to alter the design for each individual wearer, and it is the mastery of the following on additive manufacturing process that has become so much a Cinnamon trademark. It is technically not possible to make some of her designs without the use of this manufacturing process. The design is in-sync with its production technology, both enhancing each other, – making sense -  this is most evident in the single wider rings Cinnamon continues to make for some time – the morphing of one contour into another within the constrains of the thickness of a ring band – a form of magic – sometimes secretive – containing private messages.

Cinnamons work is materialized communication between the giver and receiver of a ring it is innovation at its best.

Please enjoy the exhibition and look at the I-Pad to pry into some of the secrets concealed within the rings.

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Opening images from ‘An Arc of Crockery – Marcus Foley’

 

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Contemporary Australian Silver & Metalwork Award 2013

Team Bilk took a road trip to Bendigo to support some of our gallery artists who had made the final cut in the prestigious Contemporary Australian Silver & Metalwork Award 2013. Congratulations Helen Aitken-Kuhnen, Robert Foster, Larah Nott, Mark Edgoose, Jill Hermans, Blanche Tilden, Marcus Foley, Sarah Murphy and an extra special congratulations to Tracy Pateman for winning one of the awards!

“Bendigo Art Gallery is the host the Contemporary Australian Silver & Metalwork Award 2013 in partnership with Buda Historic Home and Garden, Castlemaine. This award is a unique biennial exhibition which aims to encourage, foster and promote excellence and innovation in Australian metalwork as well as cultivate an understanding and appreciation of silversmithing to a wider audience. The 2013 award exhibition brings together a survey of work by 55 artists from across Australia at varying stages of their careers, highlighting the diversity and calibre of current contemporary practice.” (http://www.bendigoartgallery.com.au/Prizes_Scholarships/Contemporary_Australian_Silver_Metalwork_Award)

With thanks to Jenifer Rahmoy for the images below.

 

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